John Northcote Nash NEAC CBE RA (11 April 1893 – 23 September 1977) was a British landscape and still life painter, as well as a wood engraver and illustrator, particularly of botanic works. He was the younger brother of the artist Paul Nash NEAC. He was elected to the New English Art Club in 1921 and became a Commander of the Order of the British Empire (CBE) in 1964.

Early Life

Nash was born in London, the younger son of lawyer William Harry Nash. His mother came from a family with a naval tradition. Nash was educated at Langley Place in Slough and afterwards at Wellington College, Berkshire. He particularly enjoyed botany but was unsure which career path to take.

 

At first, he worked as a newspaper reporter for the Middlesex and Berkshire Gazette in 1910. His brother Paul became a student at the Slade School of Art the same year. John Nash had no formal art training but was encouraged by his brother to develop his abilities as a draughtsman. His early work was in watercolour and included biblical scenes, comic drawings and landscapes. A joint exhibition with Paul at the Dorien Leigh Gallery, London in 1913 was successful, and John was invited to become a founder member of the London Group in 1914.

 

He was an important influence on the work of the artist Dora Carrington (with whom he was in love), and some of her works have been mistaken for his in the past.

 

​First World War

Nash's health initially prevented him enlisting at the outbreak of the First World War but from November 1916 to January 1918 he served in the Artists Rifles, the unit that his brother had joined in 1914. He served as a sergeant at the Battle of Passchendaele and at the battle of Cambrai. On the recommendation of his brother, Paul worked as an official war artist from 1918. In 1914, Nash began painting in oils with the encouragement of Harold Gilman, whose meticulous craftsmanship influenced his finest landscapes.

 

Nash's most famous painting is ‘Over the Top’ which now hangs at the Imperial War Museum. It is an image of the counterattack at Welsh Ridge on 30 December 1917, during which the 1st Battalion Artists' Rifles left their trenches and pushed towards Marcoing near Cambrai. Of the eighty men, sixty-eight were killed or wounded during the first few minutes. Nash was one of the twelve spared by the shellfire and painted this picture three months later.

 

Post-War Life and Career

Nash married Carrington's friend Dorothy Christine Kühlenthal in May 1918. Their only child, William, was born in 1930. He died falling from the back of a moving car, aged 4.

 

From 1918-1921, Nash lived at Gerrard's Cross, with summer expeditions to the Chiltern Hills and Gloucestershire. In 1919, he became a member of the New English Art Club, and in 1921 he became the first art critic for The London Mercury. He moved to Meadle, near Princes Risborough, also in Buckinghamshire in 1921, which remained his permanent home until 1944. He frequently visited the valley of the River Stour in Essex and Suffolk, where he bought a summer cottage.

 

After the First World War, Nash's efforts went mainly into painting landscapes. Eric Newton, the art historian said of him, “If I wanted a foreigner to understand the mood of a typical English landscape, I would show him Nash's best watercolours." Emotions concerning the war, however, continued to linger for many years; and this was depicted in his landscape painting. Although he had a great love of nature, Nash often used natural subjects to convey powerful and sensitive thoughts concerning the human condition.

 

In 1923, Nash became a member of the Modern English Water-colour Society. In 1923, he worked in Dorset, and in 1924 in Bath and Bristol. From 1924-1929, he taught at the Ruskin School of Drawing and Fine Art (Oxford). In 1927, he wrote and illustrated a book on poisonous plants. From 1934-1940, he taught at the Royal College of Art in London, working on wood engravings and lithographs. In 1939, he visited the Gower Peninsula, near Swansea – the first of many visits to Gower and other parts of Wales.

 

Nash was also an accomplished printmaker and a founder member of the Society of Wood Engravers. He produced woodcuts and wood engravings first as illustrations to literary periodicals, and then increasingly as illustrations for books produced by the private presses.

 

Later life

At the beginning of the Second World War, Nash served in the Observer Corps, moving to the Admiralty in 1940 as an official war artist with the rank of Captain in the Royal Marines. He was promoted acting major in 1943 and relinquished his commission in November 1944.

 

After the war, Nash lived at Wormingford in Essex. He joined the staff of the Royal College of Art in 1945 and continued to teach there and later at the Flatford Mill field studies centre. When in Essex, Nash taught at Colchester Art School and in 1946, along with Henry Collins, Cedric Morris, Lett Haines and Roderic Barrett, became one of the founders of Colchester Art Society and later the Society's president. Nash bequeathed his personal library and several of his paintings and engravings to The Minories, Colchester, who later sold most of the material to the Tate. Nash became an Associate of the Royal Academy in 1940 and a full member in 1951. He became a Commander of the Order of the British Empire (CBE) in 1964. His retrospective exhibition at the Royal Academy in 1967 was the first for a living painter.

 

Nash suffered from severe arthritis in later years. His wife died in 1976; they had been married for over 58 years. Nash died on 23 September 1977, in Colchester. They are both buried at St Andrew's, Wormingford, Essex.

 

This is an edited version of John Nash's Wikipedia biography that can be found here: https://en.wikipedia.org/wiki/John_Nash_(artist)

 

You can also view a large selection of Nash's artworks on his ArtUK website page: https://artuk.org/discover/artists/nash-john-northcote-18931977 

 

Header image: Detail from ‘Over The Top’ 1st Artists’ Rifles at Marcoing, 30th December 1917, by Paul Nash, © IWM Art.IWM ART 1656, https://www.iwm.org.uk/collections/item/object/20015