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| NEAC School of Drawing Curator:
Life Drawing Classes in London and Elsewhere
'Anyone can draw' is one of the principles of the Drawing School. You do not need to be a member or a Friend of the NEAC, and you do not need to sign up for a term or year or course. It is entirely possible to drop in to any of the courses without booking and draw in our classes, although probably best to email the day before to confirm that the class is running.
Bookmark this page and email the Drawing School Administrator, Piers Grizzelle, at
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The NEAC Drawing School Courses
at the Learning Centre, Mall Galleries
The NEAC Drawing School is at the Learning Centre at the Mall Galleries, where we hold our regular classes on Tuesdays.
Michael Kirkbride NEAC Curator Drawing School
Staffed entirely by members of the NEAC, many of whom have a wealth of teaching experience, the Drawing School offers a thorough and sound approach to drawing in its many forms, with small classes to ensure a personal and individual tutor/student relationship.
The Drawing School is at the heart of what the NEAC represents. We run courses at various venues, mainly in London, on drawing, sketching en plein air, and working from drawing to painting. Courses are constantly in development, so check back regularly to keep up-to-date.
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All sessions will be tutored by Mick Kirkbride NEAC.
All levels of ability are welcome,with some basic materials provided. Poses vary from short to more sustained, with an emphasis on exploring the broad language of drawing through a flexible approach , and varied methodology.
Some basic materials are provided, but more information is given by scrolling to the bottom of this page.
Time and Date
Every Tuesday, 6pm to 8pm during Term Time.
Spring Term 2015. Tues 13th Jan - Tues 31st March -
6 to 8.00 pm.
£20.00 per drop in session
£100.00 for six sessions.
Mall Gallery Learning Centre
A Drawing day at Spitalfields Market with Peter Clossick NEAC and Paul Newland NEAC.
This is an intensive workshop focusing on the visual effervescence of one of London's most bustling indoor markets.A wealth of drawing opportunity is offered , from static architectural motif to the trancience and ephemerality of the moving figure. There is pictorial challenge in every direction, and you will be encouraged to explore mixed media and develop a flexible approach to your image making. All levels and abilities are welcomed and tutoring will be tailored to individual needs.
Your tutors - Peter Clossick and Paul Newland are both painters and experienced teachers.
Peter's work is characterised by exuberant brushwork and a heavy impasto surface which prompts an immediate visceral response.
Paul Newland is known for his empirical approach to water based media, developing his finished paintings from dozens of studies. Each can offer a unique insight and sensibility based on their personal artistic odyssey.
Where - Meet 10.30 at The Punchinello Gate entrance on the Brushfield St side of the market [ five minutes walk from Liverpool St Station ]
Some basic materials to consider... sketching stool, A2 hardback sketchbook. pencils, ink.brush /wash, pastels, charcoal. A packed lunch should not be necessary as there are plenty of eating outlets in the market.There is a more extensive materials list by scrolling to the bottom of this page - these are merely suggestions.
Time and Date
Sat 28th March 10.30 - 4.00
£45 for the day
The Punchinello Gate
Catching the Transient: Painting and Sketching Plein Air in Whitstable Kent, with Sarah Spencer NEAC and Louise Baalam NEAC
Information - This two day workshop will be an opportunity to explore the challenge of working plein air from this unique landscape in both paint and drawing mediums. Famed for its sunsets Whitstable offers an ever changing inter - relationship of light and colour providing inspiration for generations of artists including Turner. Instructive and informal, the weekend is suitable for beginners as well as more advanced artists, and invites participants to develop work in a variety of drawing and painting mediums.
Each study day will begin with a short exploration on foot to source subject matter , and end with an informal plenary session. An indoor space has been booked with superb sea views and facilities in case of inclement weather. Participants may book for one day only if they wish.
Sarah Spencer has has lived in Whitstable for over 25 years and has sustained a fascination for this subject within her paintings which are renowned for their symphonic skies and expansive spatial resonance.
Louise Balaams paintings on the other hand are inspired by an emotional response to the landscape with an intuitive painterly approach which often presents us with an alternative reality. Both artists are experienced tutors , their own creative practice helps to bring an added integrity and insight to their teaching, which will both excite your thinking ,and develop confidence in working plein air. You will also gain from the co- learning experience of creating alongside fellow artists.
As soon as you have booked your place on the course it is advised that you secure accommodation as quickly as possible . Whitstable is a popular tourist destination and places get booked up very quickly. the following are merely suggestions:
Whitstable is well known for its oysters and fine eateries, and there is a wide range of culinary choices. Please be aware that the most popular restaurants must be booked well in advance as competition for tables is fierce. Please feel free to contact Sarah for further advice - email@example.com .
There is an extensive materials list by scrolling to the bottom of this page with necessary items in bold ,but the following would be most useful to add for this workshop - something to sit on or small sketching stool, Large golfing or fishing umbrella, lightweight travel easel , or if you prefer an A2 drawing board or similar,if working in oils a quick drying medium liquin or whatever siccative you prefer.
Saturday 16th May at Keams Yard gallery, Horsebridge Rd, Whitstable at 10.00 am.
Sunday 17th May meet at same venue 10.00am.
Time and Date
Saturday 16th & Sunday 17th May
10.00 - 4.00pm
£50.00 for one day, £90.00 for two days.
Need more information?
NEAC Drawing School
2 Royal Road,
Tel: 020 8287 5208
Michael Kirkbride NEAC
Tel: 07951 227322
Materials List For Drawing Classes
There are many drawing implements other than pencils – pen and ink, watercolour, pastels, conte crayon, as many different styles and inclinations as there are artists, and they are all useable, but here is a basic list for life drawing classes.
It is best to have some good quality drawing paper, pencils, a craft-knife to sharpen them with, and an eraser. Masking tape is also a good aid.
Paper can be bought in blocks or loose from good art shops. I buy it loose and tear it down to the size I require, but blocks are fine. The best size is the most convenient size for you – if you have long arms and want to make large drawings, buy large sheets of paper, but there is no gain in doing that if you don’t usually make large works. You can always visit the shop again. Buy ‘cartridge’ or ‘drawing’ paper, don’t buy watercolour paper unless you plan to put watercolour washes on the drawing. Keep it in a portfolio, either cardboard or faux leather.
Pencils are graded in hardness, from 7H (very hard) to 6B (very soft). For observational drawing, B to 3B is the most useful range. There are many different manufacturers, and it’s best to try various and develop your own preferences.
Some lecturers prefer the use of charcoal to pencil, as it is more ‘expressive’ and putting down tone is quicker and perhaps less stilted. If you have charcoal, you can use ordinary drawing paper, although you can also use ‘ingres’ paper, which has a slight ‘tooth ‘or texture, but you will also probably need a putty rubber. This is unlike a pencil eraser in that it is malleable and becomes more effective when warm. I usually draw with charcoal in my right hand while keeping the putty rubber warm in my left, and when I want to make a correction, I mould the rubber into the shape I need and, rather than rub at the paper as one does with a pencil eraser, dab at it, lifting off the charcoal. A spray can of fixative is useful, or hairspray will do the same – apply it at the end of the session, out of the room.
A craft knife is better to sharpen your pencil than a sharpener, mainly because you have to concentrate on making your point when you use a knife. Try to keep your pencils sharp at all times. Elementary advice, but you’d be surprised how often people ignore it.
Recommended materials: Items in bold type are most necessary!
A variety of smooth and rough papers, different types of weight and colour, cut to same size as sketch book unless bringing a drawing board
Sketchbooks –preferably at least one large one and one small one,
Black paper cut to same size as sketch book unless bringing a drawing board
Pencils: B – 4B
Black ink and drawing pen or gel pen/ sketching pen
White ink and drawing pen or white gel pen/ sketching pen
Rags or tissues
Craft or Stanley knife
Bag for rubbish
Some wet colour medium: Watercolours and brushes, watercolour paper or other painting medium- oils or acrylics as desired with board or canvas paper support
Drawing board and larger sheets of paper if desired
Warm clothes and snacks
Bottles of water for brushes
Something to sit on: stool or gardening kneeling cushion or a cushion in a carrier bag
Viewfinder – card or otherwise