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The first exhibition of the New English in 1886 immediately
established the NEAC as a strong voice. During the entire
20th Century, in spite of waves of movements that pulled
the art world in many directions, the club’s artists held to
their commitment to figurative art.
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NEAC Prizes and Sponsors
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Winter Vines, Tuscany
Patrick Cullen |
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| Woodhay Gallery Critics' Prize 1st awarded to Jane Corsellis |
| Kathleen Tronson Award to Critics 2nd awarded to Tom Coates |
| Kathleen Tronson Award to Critics 3rd awarded to Jennifer McRae |
| The Worshipful Company of Painter Stainer' Prize awarded to Christopher Hall, Copper, brass, lead |
| The Bill Patterson Memorial Award awarded to Jacqueline Williams, The Dressing Room |
| The Llewellyn Alexander Prize awarded to Jennifer Percival, Sahdows, boat deck |
| The Minto Prize awarded to Patrick Cullen, Winter Vines, Tuscany |
| Jans Ondaatje Rolls for a drawing awarded to Julie Jackson, Morning |
| Horan Prize for work by a non-member awarded to Davcid Atkins, Landscape with a castle |
| New English Schol of Drawing Scholarship 2004 awarded to Belinda Fitzwilliams |
| St Cuthberts Mill Award for works on paper awarded to Jacqueline Rizvi, Passing the coast, rain coming on |
| The Arts Club, Dover Street Award awarded to Ruth Stage, Flooded marsh land, Dunwich |
| The Alresford Gallery Prize for a 18 x 18 inch painting awarded to Karn Holly, Precious Objects |
| Cedar House Gallery Prize for a painting by a non-member awarded to Tom Fairs, Mount Vernon, Hampstead |
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| Langham Fine Art |
| Horan (School of Drawing) |
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